![]() ![]() It doesn't work on any of the XLR inputs. Now, this only works on the stereo input. So, if your main recording peaks out, you now have a recovery. The H5 and the H6 also have a backup record function that duplicates your file but at 12 decibels quieter. They are a lot smoother they are easier to use and it simplifies the whole system. In an increasingly digital world, it’s really nice to have analog functionality built into your system such as these sensitivity dials for your inputs. My favorite thing about the H5 and H6 is the actual dials. The H6 also comes with removable capsules, but it has six total channels, two on both the left and right sides plus your stereo mount on top which can be converted to two or more XLR mounts. When used with the H5, instead of having three inputs, two mono and one stereo, we now have four mono inputs. My favorite capsule is the additional XLR capsule. This opens up a lot of possibilities for interviews, Foley artists and independent videographers. Zoom makes multiple shotgun XLR and stereo mounts to really dial in exactly what you need to use it for. With the H5 and H6, we now have the option of changing these capsules out to something else. ![]() ![]() The biggest difference, however, is the removable capsules. However, we do see improved shock-absorbing material on the stereo mount. Now, if we bump up to the H5 we also have two XLR mounts on the bottom as well as a stereo mount on top. The H4n Pro comes with two XLR inputs for two mono channels as well as a fixed stereo mount on top, or four channels in total with three inputs. So, let's check out some key differences. No matter what version you get, all three will record at your standard professional rates. Today, we're looking at Zoom’s portable audio field recorders the H4n Pro, the H5 and the H6. ![]()
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